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I've seen several in the community mention purchasing an Archaea cabinet. I just recently purchased the 60x45 "Assembly Required" version in the Driftwood color and assembled it yesterday evening. It went together quite quickly without even downloading the instructions. I gotta say, I think it's absolutely a good option, if you're not wanting to build a cabinet yourself, but gag at the high cost of other aquarium cabinets sold by the high-end tank brands. I considered the slightly more expensive pre-built model, but it's cost doesn't include the freight shipping. Since this will be going in my living room, I didn't want to take chances on my own build and finishing skill. I think I made the right choice.

Archaea Modern-Nature Aquarium Cabinet

Welcome to ScapeCrunch, @Miro!
We would love to get to know you. Please tell us about yourself. What tank do you have?

Hey guys, I've made a couple of yugang reactors some horizontal, some vertical (soda bottle with a hole in it).

I've noticed a reoccuring issue constantly in that it will eventually fill up with air (oxygen) from plants pearling.

Once the co2 + oxygen concentration gets high enough, Oxygen from plant pearling will eventually make its way into the reactor. After a few days, this severely reduces its efficiency.

You would think the oxygen just gets pushed out by the co2 coming, but plants pearling will kinda just refill it up extremely fast.

Is yugang better in lower light tanks where you won't get intense pearling? I usually find co2 misting much more consistent in this case and might swap back to just using a ceramic diffuser for consistency. I only have 10 gallon tanks... a ceramic diffuser is fine, its just easy to nuke your tank with too much co2 where yugang limits your co2 ppm based on reactor size.

New (for me) reading to add to the bookshelf. Been wanting Amano San's books for some time but the price, even for used, is quite high. Finally bit the bullet on a used copy of the Complete Works since it was a little less expensive than used copies of the individual Nature Aquarium volumes. It will be next to George Farmer's book.

What other books do you have?

Time to start a new thread.

I’ll fill in some details later, but I’m working on the hardscape now. Any and all criticism is appreciated. The vision is nothing more, and nothing less, than something appealing to the eye.

90cm x 30cm x 30cm Lifegard Aquatics ultra clear bookshelf tank. Buce and anubias on the hardscape, stems towards the back and center, mid to front carpet with some changes in shade and texture down to a flat grade on the right side of the tank.

Lily pipe inlet and skimmer will be in the back left corner with the outflow in the front left to hopefully achieve circular flow. I’ll be running an in-line diffuser. Light will be the P600 Pro that I regrettably did not upside to 900. Oh well. I’ll mount it high and hopefully it’ll have enough spread.

I have some dragon stone and red lava rock rubble I’ll use at the base to blend into the substrate, as well as some stratum I may or may not cap with.

I’ve had this idea in my head for a couple of years now and it’s finally taken shape. The inspiration came from a local conservation area/regional park. I wanted a tall nano scape with stone/wood hardscape with a pump/filter in the rear plumbed so the outflows exited at the top and trickled down the face of the scape. Primarily a moss scape dotted with some native accent plants.

Tank: 15cm x 15cm x 25cm ultra clea low iron nano tall with floating bottom.

Light: random plant light from local store.

Substrate: random top fin black pebble gravel that came in a bag with a marketplace tank setup.

Pump: random pump from my dad’s garage from one of my brothers super old tanks.

Plumbing: extra black RO 1/4” tubing and quick connect fittings from a reptile mist kit (for another project).

I started by building the frame with divider panels. There are two ledges that propped up the hardscape, and the whole frame was draped and buffered with 3d spacer mesh (Epiweb) to retain moisture and humidity near the top of the scape without needing a lid. The mesh also helps keep the wood in contact with water, and aids establishing moss.









3d spacer mesh:



Back filter installed:



And the dry fitment test. Had to file down the rock on both sides so it fit without being forced in there. I constructed it this way so the whole scape could be pulled out at once if I needed to reset it, or just the pump if it needed to be serviced. More 3d spacer mesh was wedged in all the crevices for additional wicking.



Topped up and testing:



Additional hardscape up top to help hide all the outflows, and provide space for the finishing flora (maybe some air plants and/or orchids).

There is A LOT of history to this that is tied to some of the biggest names in the hobby's past. I tried to get them into the USA with Clause Christensen back in the 90s but no-go.

This would be big news for US hobbyists as availability of healthy, aquarium-ready plants is THE limiting factor in expanding the hobby in the USA.

This is A River... Somewhere, the amazing IAPLC 2025 Grand Prize winning work of Josh Sim. I think this is a wonderful aquascape to use to start the Learning From Series. I hope you would agree.

The Learning From Series

I have no talent when it comes to aquascaping. If I'm honest, this is also true for almost all forms of art.... So, I am in awe of people like Josh, our friend @Jeff Miotke and @Naturescapes_Rocco, along with many others that we are privileged to count among our community. I am also so thankful that they have the talent and choose to share it with the rest of us.

The reality is that although I can't create these works of art, I can certainly appreciate them. My talents lie more in keen observation, critical thinking and curiosity. You know, stuff that will never make me a millionaire but that do come in handy when you're trying to learn something new.

As I'm in the back nine of life, I've decided that I want to take some time to appreciate and learn from aquascaping artists such as Josh. Thus, the idea for this series was born. I'm calling it the Learning From Series because that's exactly what it is. And, I'll be documenting my thought process and learnings here as a series of articles.

We are a community and sharing is part of the fun. So, I do hope you jump in and participate even if it's to tell me that I've completely missed something important. Maybe we learn together.

Finally, given that I have a day job (unfortunately, it's quite inconvenient when I'm trying to spend most of my time here), these articles will likely come in pieces. My MO is deconstructing the aquascape so that I can understand it. I'm a savor the wine type of guy rather than chug the beer.

Initial impressions of A River... Somewhere

This aquascape is multifaceted. It hits me with a lot of first impressions.

It's so real, almost biotopy. Yet, it is perfect. A lot to digest. For now though, dinner is calling. More tomorrow.

-- Update September 18, 2026

Observations continued

Amano used to say that the plants were the paint in an aquascape. I usually try to step back from the details and look at the forest, if you will. I focus on just color. This aquascape is very strongly skewed towards green. The green mostly rests on dark wood tones and black shades.


In this image above, I've blurred slightly and then punched up the greens to make them more obvious. Green is about 75% of the color, would you say?

This makes me think about focal point. Usually we are told to have a focal point in our aquascapes and this should be made quite obvious through the use of a pop of color (usually red) and/or different leaf texture or style of plant. Do you see that here?

Also, thinking compositionally again, the use of a "vanishing point" is also highly recommended. Do you see one here? I'm struggling to find it. There is certainly depth here making it seem like the river continues well beyond this image. But, how does Josh accomplish this without an obvious vanishing point?

I think his expert use of very clear foreground items versus smaller, blurred background items gives the impression of depth without needing a vanish point. This tricks our minds into thinking the things in the background a far away. This, it seems, is where details matter.

Another observation is just how natural this looks. I can truly believe that this could be a scene in "some river... somewhere." The downed tree rests very naturally and appears naturally weathered. Has a natural patina created by skillful trimming of moss and plants. Notice that the moss is not an even carpet of green. It's different shades and textures.

Nature doesn't create golf courses of green. Nature is wabi-sabi and does not favor only one species.

The hanging roots on either side also pull on my attention and constantly fight to pull me away from the center of the aquascape. There are more on the right side than on the left. Why is that? I think it will be more obvious when we analyze the composition.

Finally, what would you say is more dominant in this aquascape, if anything? Is this more plant-focused or hardscape-focused?

I will have more thoughts as I continue to deconstruct this wonderful aquascape in my mind. Again, this is really an intentional stream of consciousness, folks. And please don't misinterpret my breakdown as any sort of criticism. This is how I learn, by peeling the onion one layer at a time.

More tomorrow. Composition is next.

Well...let's spend more money! I had thought about attending Aquashella - Chicago a few months ago but decided to pass this year. When I was thinking about it, they still didn't have the specific VIP guest list posted. Out of curiosity, I checked today and to my surprise, the man himself, Yusuke Homma, will be presenting the masterclass on Saturday. I can't pass that up when it's only an 8 hour drive. Ticket purchased, room booked. Anyone else attending?

This is the future home for the announcements when someone obtains an achievement badge. Let the games begin!